本文由 泵园社 授权mooool发表,欢迎转发,禁止以mooool编辑版本转载。 Thanks Pumpark for authorizing the publication of the project on mooool, Text description provided by Pumpark. 泵园社:《新生的透明人》是泵园社近期完成的一场废弃物再造艺术实验。事件的主角是我们日常生活中在服装店经常见到的工业产物模特,在经历市场之后被淘汰。面对眼前这具破损+缺失零部件的“工业废弃物”,在感慨当下实体店铺经营环境的同时,我也好奇除了被送往垃圾回收站,它或者它们,是否还有其他归宿?殊不知后来竟成了近期与我对话最为深刻的“人”。历数艺术史上,无论摄影还是装置作品,不乏以假人模特进行创作的艺术家。只是随着时代审美及市场需求变化,不同时期的假人造型呈现出强烈的时代特性,加上艺术家个人化的艺术表达,最终构筑出不同的艺术创作呈现。回到泵园社这次的表达路径:是以转场三幕剧的形式,通过对一件工业制品的修复、寻根、重组,分场景注入新的隐喻元素,呈递进关系逐步引导观众开放性思考的一场艺术实验。期间每一次新元素的注入,都在转变上一场的思考方向。从第一层很纯粹的完成对一件流水线产品的拼凑复原,到第二层开始介入空间,创作者、透明人以及场域感开始在松柏林里蔓延出戏剧性的对话场景,直至第三层“淡水”“海水”“鱼”几个元素进来,思考角度完全开放。所以创作者特别寄希望于每个人在看待这场作品时,可以将自身代入其中,与泵园社共同完成与透明人的对话思考内容。为了更好的达到这一设定,本文只做相关背景信息引导,不提供创作者本人主观对话与思考内容,以避免成为一篇唯一答案的作品解读。Pumpark: The Newborn Transparent Persona is a recent art experiment conducted by Pumpark, focusing on the reformation of waste materials. The protagonist of this event...
Nominally a residential development and land regeneration project, the 494-acre (200-hectare) nature reserve known as Reserva Peñitas has, in recent years, emerged as something more exciting: a hotbed of contemporary Mexican...
Some task chairs have so many adjustable elements that finding the right settings can feel foreboding. In response, Velo, by London-based studio Layer, eschews complicated user systems. It’s engineered with a weight-activated mechanism that responds to posture and flexes accordingly in real...
Transnatural, the Amsterdam-based lab and cultural hub led by Arjen Bangma, prioritizes material experimentation in its product lineup. That’s certainly evident in Tijs Gilde of Studio Guilty’s Lamina sconce, a layered collage of translucent recycled acrylic. The slatted shapes—lozenge, half-moon, rectangle—slot into a horizontal light bar...